Wednesday, May 3, 2017

Tulip Time 2017

Here are (hopefully) all the (hopefully) final details you should need for the Tulip Time performances to be successful and efficient.  Everything starts next week!

Tuesday, May 9 - "Dazzle" show at Central Wesleyan Church.  This is for jazz band and the Have You Heard percussion group only.  Rehearsal Tuesday morning at the church.  Meet in the band room at 7:15 so we can load the bus/trailer and leave by 7:45.  Show time Tuesday night is 8:00 p.m.  Specific details regarding report times will be given in class (because I don't know them yet).

PARADES on Wednesday, Thursday, and Saturday:

ALL OF THE PARADES BEGIN AT 2:00 P.M.
We will be at school each day dressed and ready to go by 12:45.  Please allow yourselves plenty of time to arrive at school, find your uniforms, and get dressed.  Students may elect to stay after school on Wednesday and Thursday until the buses leave, but I would honestly prefer that they don't.  On Saturday the building will be open by noon for students to arrive and get dressed.

Lineup information can be found here:
 - Wednesday: http://www.tuliptime.com/parades/volksparade-maps-info/
  - Thursday: http://www.tuliptime.com/parades/kinderparade-maps-info/
  - Saturday: http://www.tuliptime.com/muziekparade-maps-info/

WE SHOULD BE RETURNING TO SCHOOL BY 3:30 - 3:45 P.M. EACH OF THE THREE DAYS.
On Wednesday and Thursday the band will be meeting in the general vicinity of Columbia Avenue and 9th/10th Streets for those, such as Dutch Dancers, who need to meet us at the start of the parade.  On Saturday we line up on the north side of 8th St. again, next to Pizza Hut.

  • In case of inclement weather, only the Thursday parade has an option for being rescheduled to Friday.  Wednesday and Saturday parades are held unless there is severe weather, in which case they are canceled without a make-up date (I don't recall this ever happening in the 30+ years of parades I've done...).


PARENTS TRANSPORTING STUDENTS PLEASE READ THE FOLLOWING:
If YOU are driving YOUR child and YOU are present at the end of the parade, all you need to do is find me and check out your child.  If you are driving OTHER students, THOSE STUDENTS must have a permission slip on file with me stating that they may ride with you.  Students may also choose to meet family members back on the parade route in the audience.  I attached the electronic file to the email for this blog link, and it can also be found here - http://sites.zps.org/zhsband/parent-page.  

  • DUTCH DANCERS should not be considered part of the transportation stuff - I consider Dutch dancers to be "on their own" due to all of their other time and travel commitments, so they are responsible for getting themselves to and from the parades and dance venues on their own unless they tell me otherwise.
  • If in doubt, fill it out!  Better to have too much paperwork than too little in this situation.
  • I prefer to have one sheet per parade day, but if you fill one out for all three days I will make do

ATHLETES PLEASE READ THE FOLLOWING:
There are several folks who are indeed missing a parade in order to participate in an athletic event.  I have heard from MOST of you - please do not assume that because one person on your team is excused, that I know that you are on the same team.  Special kudos to the West softball girls who have been on top of this situation for a few weeks!  If I have not heard from you regarding an athletic conflict, I assume there is no problem and that you will be marching.

GENERAL EXPECTATIONS FOR ALL STUDENTS:
As we have discussed in class, you are representing yourselves, your band, your school, your community, and in some cases the State of Michigan.  Remember that an interaction that you have with a tourist or community member may be the only one they have with Zeeland.  Make a good impression!  

  • Your uniform is to be completely ON or completely OFF after the parade.  No unzipped coats (take it off if you're too hot) or other variations of the uniform.  Hats and gloves may be removed without concern.
  • If you are walking back on the parade route to meet someone after the parade, make sure to walk behind the audience.
  • There is to be ABSOLUTELY NO PLAYING OF INSTRUMENTS UNLESS WE ARE ALL PLAYING TOGETHER. 
  • Plan to transport your instruments to the parades in their cases.  Uncased instruments on the buses invite damage and unnecessary temptation to play them, both of which would be bad.
  • ALL BAND MEMBERS need crew-length WHITE socks.  (<<I wish I could make that sentence flash and shoot lightning bolts and stuff...)
  • I strongly recommend that all students wear earplugs during the parades.
That should cover it, I believe.  If you have questions, please feel free to email me - kwalker@zps.org

Friday, April 21, 2017

April/May 2017 - Pre-Tulip Time Edition

"Spring has sprung and the grass is ris'n..."  There are lots of ways to complete that couplet, and I can't think of any that rhyme with "Tulip"...  Anyway, there is plenty going on around the band room, so I thought it would be a good idea to get another blog post up.  There will be a separate one at a later date for Tulip Time final details, which are not complete yet - lineups are not available from the TT office.

IMPORTANT DATES:
 - Final playing tests are DUE next Tuesday, April 25.  Students have had these materials for several weeks now (made available prior to spring break), and have been informed of due dates, etc.

 - Jazz Band auditions are DUE on Friday, April 28.  We are re-auditioning all students this year in addition to any incoming freshmen.  Again, students are aware of this and have had their materials.

 - There will be a MONDAY REHEARSAL for Tulip Time on Monday, May 1 at 7:30 p.m.  Rain date will be Monday, May 8, same time.

 - The final concert for the Wind Ensemble will be on Wednesday, May 17 at Lokers Auditorium at 8:00 p.m.  

 - Tulip Time parades are Wednesday, Thursday, and Saturday, May 10, 11, and 13.  All parades begin at 2:00 p.m.

 - The jazz band and the "Have You Heard" percussion ensemble students will perform at Tulip Time's "Dazzle!" production on Tuesday, May 9 at Central Wesleyan Church.  The concert begins at 8:00 p.m.

 - We have moved the final jazz band concert date and location.  The new date is Saturday, May 27 at the Lawrence Street Park band shell.  The concert will begin at 3:00 p.m.

 - Graduation performances are May 31 and June 1.  Concert Band and Symphonic Band will be performing - one each night.

FINAL PLAYING TESTS/AUDITIONS
Students were given playing test materials for this prior to spring break, as mentioned above.  This playing test gives me an opportunity to evaluate each student on several different aspects of their playing, and is a good comparison from the beginning of the year.  This year, as last, students are submitting their tests via Google Classroom using their iPads.  
In addition to this being a playing test, it is also a placement test for concert band season for next year.  As you know, we have three concert bands at ZHS: the Wind Ensemble, Symphonic Band, and Concert Band.  We try to place students where they will have the most success on their instruments and learn and improve the most. while still being conscious that each band needs a balanced instrumentation and overall sound.  I consider the Wind Ensemble to be AP Band.  This class is truly not for everyone.  They perform five concerts per year in addition to all of the marching band responsibilities, and are expected to be good sight readers and learn their parts.  Most students find the music very challenging.

JAZZ BAND AUDITIONS
This spring looks to be a banner year in the jazz department, with nearly 30 students signed up to audition for 18-19 slots.  I would like to hear all of the current students in addition to the newcomers.  My goal is to be able to offer an alternative to the jazz class, in the form of a club, for students who do not get placed in the class.  I would like everyone to have the opportunity to play, so I will do what I can to make things happen for everyone.  We don't quite have enough players for two complete bands, but there are far too many for only one, as this group has limited instrumentation.

MAY 1 EVENING REHEARSAL
Since the marching band full unit rehearses as four separate class hours, it is necessary that we get together for the parades before Tulip Time.  My plan is for about a 90-minute rehearsal from 7:30 - 9:00 p.m. on Monday, May 1.  Since all four classes have been working on things, it should be quite easy to get things put together.  Athletes should plan on getting to school as soon as they can.  I realize that some people will have to miss, so we will make do.  Rain date for this will be Monday, May 8.

CONCERTS
Both the Jazz Band and Wind Ensemble have one more concert this school year.  The Wind Ensemble will perform on Wednesday, May 17 at Lokers Auditorium.  Much to the delight of most of the woodwind section, we are performing all 19th and early 20th century music (and even one from 1715 or so).

The Jazz Band, originally scheduled on the same date as the Wind Ensemble, decided to do something a little more fun and host an outdoor concert.  As you know, finding a date that every single kid/family could make it proved nearly impossible.  We finally settled on Saturday, May 27 (yes, Memorial Day weekend - they figured they'd be around for marching Monday, anyway) at the band shell at Lawrence St. Park at 3:00 p.m.

CALENDAR 17-18
Speaking of dates, the band calendar for 2017-18 will be published by May 15.  This calendar will be thoroughly vetted and researched, and checked by Cathy Lugten and Andrew Patten before I send it out.  It is my sincere hope that my calendar disability will be limited to the current school year and I will be cured in the future!  My apologies again for the various changes we made; some were due simply to my error, others came up due to unforeseen circumstances based on making a calendar over a year in advance.  The errors this year enabled me to plan better for next year, and we should have our Dux and Chix in a row!  

Tuesday, March 7, 2017

March 2017

Since March is national Music in our Schools Month, it seems only natural to get these kids off the streets and onto the stage and have them perform about once a week or so for the entire month!  This post should help you navigate the waters over the next few weeks to make sure everyone is where they belong.

THIS WEEK:  Legally Blonde: the Musical will be staged Wednesday through Saturday at 7:00 p.m. in DeWitt Auditorium.  Several band students are participating either on stage, back stage, or in the pit orchestra.  Tickets are on sale now via Cathy Lugten at 616-748-3111.  

Saturday, March 18: MSBOA State Solo and Ensemble festival at Portage Northern High School.  We have a fair number of solos and ensembles participating again this year; the only negative is that it's in Portage and not at Grandville or West Ottawa!  Today's email from MSBOA promises the schedule will be available by tomorrow afternoon.  I will distribute the schedule online via Google Classroom as well as email to parents.

Sunday, March 19:  Several Percussion Ensemble students will be assisting the Holland Symphony Orchestra at their instrument demonstration area for the HSO Family Concert at DeWitt Auditorium.  These students will then perform at the opening of the HSO concert.  (This involves students who are performing in "Have You Heard.")

Saturday, March 25:  Our annual Guest Artist Series concert with the high school and middle school jazz bands.  Join three jazz groups as they perform great music with guest artist Dr. Nathan Warner at 7:00 p.m. in DeWitt Auditorium.  Dr. Warner is the trumpet professor at Lee University in Tennessee, and spent many years in New York City as a freelance trumpet artist.  Admission is $7.00 per person to help offset costs.

Sunday, March 26:  The high school Concert Band, Symphonic Band, and Wind Ensemble present their annual spring concert at 2:00 p.m. in DeWitt.  Dr. Warner will join the HS Symphonic Band for Leroy Anderson's "A Trumpeter's Lullaby," and all three bands will perform.  Admission is free.

Tuesday, March 28:  The ZHS Percussion Ensemble will perform in their annual concert at 7:00 p.m. in DeWitt.  See what the percussion section does when they are not the drumline or standing in the back of the band.  Lots of great music from Mozart to modern.

And after that?  I sure hope spring break is nice...  Please let me know if you have any questions.  Since not all students are involved in every event listed, it will also help to ask them when they are playing and for what.  

Thursday, January 5, 2017

January Concert(s) Details

Looks like winter is once again upon us as I write this post; here's hoping that everyone stays warm and comfortable over the next couple weeks as we prepare for our two concerts coming up.  This note includes as many details as I can think of at the moment:

SUNDAY, JANUARY 15 - Concert Band, Symphonic Band, Wind Ensemble, Percussion Ensemble concert - 2:00 p.m., DeWitt Auditorium.
This is the bands' annual winter concert, and each performing ensemble will present music that we've been working on this term.  
 - Report time: Concert Band and Percussion Ensemble - 1:30; Symphonic Band - 1:45; Wind Ensemble - 2:00
 - Apparel: Concert Band students will wear black pants or skirts with white tops.  Black shoes, black socks.  Symphonic Band and Wind Ensemble will wear school tuxes/skirts; black shoes and socks for boys, black shoes for girls (hosiery is left to your discretion).  Percussion Ensemble will wear all black.  (I prefer a long-sleeve shirt, but as long as it is all black you will be fine.)
 - This is a required performance for all students.

MONDAY, JANUARY 16 - Jazz Band combo concert, Drama Room at ZEHS, 7:00 p.m.
This concert is a team collaboration between Mr. Miller's Technical Theater class and the jazz band.  The band has been working on performing in small jazz combos and focusing on improvisation; the theater class has been working on lighting and sound reinforcement (amps and mics) for a live performance.  Mr. Miller suggested we combine forces, and the result will be this informal concert.  All jazz students will perform at least one improvised solo that evening, which is something slightly less terrifying than public speaking (did I say "less"?  I meant "more"...).  
 - Apparel:  All black, as we did for our November concert
 - Report time - 6:40 p.m.

Admission to both of these events is free; we hope to see many people in the audience!

Wednesday, December 21, 2016

Calendar Updates and Reminders - Winter 2017

There have been a few minor calendar alterations, and I wanted to send a reminder of the January concert date as well, so I thought I'd write it here so everyone can have it easily accessible.

First of all, our annual winter band concert will take place on Sunday, January 15 at 2:00 p.m. in DeWitt Auditorium.  This concert will feature the Concert Band, Symphonic Band, Wind Ensemble, and Percussion Ensemble.  Admission is free, but we will be collecting a freewill donation toward the Performing Arts Summer Scholarship program.  

On the original band calendar the jazz band has a performance set for Feb 9.  Our theater teacher, Mr. Miller, has asked if we would be part of his Theater Tech class assignment, which includes a unit on sound a lighting for a live performance.  Since that class will end at the semester, we've moved up the jazz concert to MONDAY, JANUARY 16 at 7:00 p.m. in the Drama Room.  This will coincide with the jazz band's unit on combo (small ensemble) playing, and we are working together to set up a sort of jazz club idea for the evening.  More specific details soon!  

Solo and Ensemble is happening at West Ottawa HS this year, which is a convenient location, on Saturday, January 28.  There was some confusion earlier in November when we were doing entries, but the date is indeed January 28.  ALL PERCUSSION ENSEMBLE STUDENTS are participating on that day.

I think that should do it for this update - please let me know if you have any questions!

KW

Wednesday, November 9, 2016

More Great Music - Concert Band Style

With the approach of the first concert of the year for Wind Ensemble and Jazz Band, I thought I would do another edition on great music that you should all listen to.  This time I am doing a preview of some of the material that the groups will be playing next week.  You should, of course, make sure to come to the concert and hear these tunes in real life, though!  It will happen on Thursday, November 17 at 7:00 p.m. in DeWitt Auditorium.

Though I am not one to always plan a concert around a certain theme, it turns out that the first couple of pieces I chose for the Wind Ensemble to sight read ended up fitting together well.  One of the coolest things about being here for a long time and having a music library that dates back some decades before even my time is that I can program music that I've done in the past that I know will be successful.  It also means we save a little budget money.  And the past few years I've been able to look at lots of the really old stuff and use it for sight-reading to see if it's worth playing at this point.  

So we ended up with a Sousa march, The Glory of the Yankee Navy, and an old, somewhat obscure piece called Tres Danzas de Mexico.  I had never done the Sousa, and never heard of the other.  Well, those two pieces kind of morphed into the theme of "World Tour," so we added an Irish piece by Grundman, an English piece by Grainger (surprise!), and one of my all-time favorites, Variations on a Korean Folk Song.  

Eventually we narrowed those down a bit and ended up with four pieces for next week.  The jazz band will add four of their own, including one with a vocalist from the Varsity Voices, that also fit the world tour idea.

The Wind Ensemble will open with American Overture by Joseph Willcox Jenkins.  This composition evokes the "old west" style of the 1950s and 60s western movies, and was written by Jenkins at the age of 25 for the US Army Band.  Written to feature virtually every section, it is considered a classic composition for French horn players, as it features them throughout.

Percy Grainger is one of my favorite composers for concert band.  His style is definitely old school classic, and he uses all of the colors of the instrument families very effectively.  Written in 1916, The Sussex Mummers' Christmas Carol was originally scored in two versions, one for piano and violin and the other for piano and cello.  There are several band transcriptions of this piece; Larry Clark chose the latter version for his transcription as he felt that setting more exemplified what the modern wind band could accomplish.  I've linked the Goldman version here; perhaps you can compare the two after next week.

Tres Danzas de Mexico by William Rhoads, uses dance music from three Mexican villages in a three-movement suite.  As is common in a suite of anything, the three movements are fast, slow, and fast again.  Each one represents a different folk dance from a particular village.

I usually tell the band the story of my first experience with Variations on a Korean Folk Song.  To this day I can see the middle school band room at West Ottawa, and remember when Mr. Lucas brought the high school band to perform for the middle school classes.  I was in the seventh grade and can see it like it was yesterday; this piece truly is one that helped shape my career.  As the title suggests, it is indeed variations on a theme.  Arirang, the folk song the piece is based on, is sung widely in South Korea.  The melody is introduced softly and calmly by the clarinets, followed by the rest of the woodwind family, and is followed by five distinct variations that feature all of the instrument families - woodwind, brass, and percussion - ending with the full band bringing all of the elements together.  John Barnes Chance did a great job utilizing western instruments and tone colors in this composition.


I've even included this link to the Sousa - we will be performing this in January.  Next time: some jazz favorites from Frank Sinatra!

Monday, November 7, 2016

"How Can I Help My Kid Get Better?" - 2.0 - New Instrument Purchase

The answer to the "how does my kid get better" question can also be applied to question number two: "what brand of new instrument should I buy?"  These questions fit together because sometimes a student simply ends up "outplaying" the instrument you bought several years ago.

Imagine, if you will, a tall man on a small bike.  Like this one, maybe:  
  Sure, he can ride it, but he's obviously too large for it.  The same can be said for musical instruments: the ones kids get in beginning band are made for beginning players.  Student model brass instruments are more free-blowing and have less resistance; woodwinds are set up slightly differently and are made with less expensive materials.  When students get bigger physically it's very possible that they are "overplaying" their instruments.  The instrument no longer responds well due to too much power from the larger, stronger player (think of a very large engine in a Mini Cooper).  This is especially true with trumpets and trombones.  

But...  How much does a new instrument cost?  Where should I buy it?  Are certain brands better than others?  Well:
 - A lot
 - Locally, if possible
 - Absolutely without question

The biggest issue here is obviously expense.  I will be blunt and forthright (I know, you're not used to that at all) and say that you really can't find any instrument of quality, with the exception of used name brands, for less than at least $1,000.00.  And that doesn't include saxophones or many trombones, both of which will cost you considerably more.  The thing to remember, though, is that you are quite literally making a long-term investment - the instrument that I just "replaced" (it's still around and will be forever) was new for me in 1978.  The $475 that my folks spent then obviously paid off.  (Also - be glad your child doesn't play double bass in orchestra.  Just saying...  #mortgagethehouse)

My personal recommendation for places to purchase instruments kind of depends on what you're looking for, but Meyer Music is a good place to start.  They carry many/most of the brands that are high quality and stand behind them with warranty and repair work, etc.  Marshall Music in Grand Rapids is great as well, and both of these stores specialize in school service so they know what students need.  

What about online?  Well, maybe.  I will say that I broke two of my own rules when I bought my new horn: buying online and not trying it before you buy it.  I bought a one-of-a-kind discontinued model (what was I thinking??) after seeing it on the factory's Facebook page.  I made a phone call and they shipped it that afternoon.  No return possible.  But:
 - I have another instrument that I love from that same manufacturer.
 - They are a reputable company and promised to stand behind the product.
 - At that level, there are very few poor instruments, though there are indeed some that work better than others for some players.

"They have a really great deal on new flutes at Costco."  No, they don't.  Seriously.  Not there or anywhere else that is a mass-marketer of all things.  Amazon included.  Reputable manufacturers do not allow their stuff to be sold at places like that.  End of discussion*.
     
Here are some basic thoughts on buying a new instrument:
  • Try it before you buy it.  If you can't, then don't buy it.  This is why online is risky.  I could have had a week-long trial on any of their stock instruments, with the option of sending it back and trying a different one.  Most reputable sellers will have a similar program - you give them a credit card number and they will ship you something to try.  Online auction sites may not have this option.
  • BEFORE YOU EVEN TRY IT, check with me.  Or Mr. Good.  Or Mrs. Bier.  Mr. Good and I are brass players; we can tell you a lot about brass, and especially trumpets.  Mrs. Bier is our woodwind expert, so questions about those go to her.  Any one of us is willing to help out and even go with you and your family to help you try instruments somewhere (Several years ago I spent a day in northern Indiana with a student and his family and tried out about ten trumpets with him).
    • Want to get really serious?  Try factory direct from the Conn-Selmer plant in Elkhart, IN.  Very cool experience and includes a factory tour, etc.
  • Buying local is ideal, but there is not always a huge selection.  As is the case with many expensive things, there is actually a fairly low mark-up on pro instruments.  Because of this and their relatively high price, the local music stores don't always have a dozen in stock.
    • Why does this matter?  The above-mentioned trumpet player tried out ten of the same model pro instruments.  The tenth one was the one that sounded the very best and felt the best to him.  The funny thing was that we could all tell right away.
    • There are many hand-finished processes in the manufacture of pro-line instruments, and each one is going to play slightly differently than another.
  • As with everything else in the world, there are many and various instrument manufacturers.  And as with everything else, there are tried and true brands that will deliver virtually every time.  My recommendations for brands are
    • Flutes: Yamaha, Gemeinhardt, Pearl
    • Clarinets: Yamaha, Buffet, Selmer
    • Saxophones: Yamaha, Selmer, Cannonball (a good medium horn and a good price)
    • Trumpets and trombones: Bach (Selmer), Yamaha, Getzen
(*Almost the end of the discussion...  BE VERY WARY of names that sound similar to those listed above - they are cheap knock-offs and cannot be trusted.  The names change periodically as well - several years ago SELMAN was selling woodwinds.  Not SELMER.  Be careful.)


What about buying used?  Same basic ideas as new, with the emphasis on trying it before you buy it.  There are some Selmer saxophones, for instance, that are reaching legendary status as the Holy Grail of instruments depending on the years they were made.  A former student bought a 30+ year-old Selmer Mark VI tenor a few years ago for $2000 (a steal), and sold it after college for closer to $3000.  Be wary of things on auction sites; I really like Craigslist, because it's local and you can easily visit the seller and try out the instrument.  


Meyer Music has a pretty sweet deal on step-up instruments that is worth mentioning here: if you have rented a beginning instrument from Meyer and have not paid it off yet, they will give you full credit on what you've paid for rental toward a step-up instrument.  Once it is paid off the trade-in price drops quite a bit, so check out their deals for new horns before you write that final check!

One final thought/caution for parents/purchasers: be aware that for pretty much everyone, a brand new, shiny, sweet-smelling instrument is going to "play better" than the one your child currently has.  Some student model trumpets come with silver plating.  They're still student model trumpets, they just look different.  Please do some research before you make the jump into the next level instrument!

Remember, this is a potentially very expensive lifetime investment.  Don't run out and buy the first thing you try.  And please let me know if you would like any assistance or advice!

KW